CONNECT SHORT FILM ANALYSIS

CONNECT SHORT FILM ANALYSIS - JULIAN

Connect explores how imagination and emotion binds in with the real life, one major factor that shows this is when the camera shows all of the civilians faces on the bus by uing close hand held shots. When the camera zooms in on their faces they look emotionless, almost as if they are disjointed from reality, from the real world. This could be because they are imagining certain things and feeeling emotion on the inside. When the girl puts in her headphones as the music fades in she also zones out and starts imagining things primarily being shown that as soon as she zones out all of a sudden the businessman assassinates the old lady to take her seat, but then the girl zones back in so the music is stopped and the scenery is back to normal.

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Narrative forms

Question - evaluate how successfully your film develops one of the key narratives listed? The film 'portal' develops a narrative by the elements of mystery, character development and the twist it holds at the end of the film. Throughout the film the surroundings and actions of the main character is used to create a narrative where there is a huge twist at the end of the film this twist occurs when their is a reversal of fortune for the main character where as we start to find out that she is in a simulation as the character begins to think she has escaped the 'prison' but in fact she is trapped in a simulation, however certain audiences may have realised this when during the film you can see a barcode on her neck and the fact that the main weapon, the portal gun is seen to just appear out of no where. This narrative is effective because it gives the audience a sense of confusion as this twist adds on top of the mystery of that fact why the woman was in the room overall.

Narrative Feature protagonist - what information do we find out? How is it conveyed? Example Unusually, we don’t see the protagonist’s face until the dream section… and then we aren’t sure if this is her, as we’ve only seen her shadow and fragmented body parts: hands, sandalled feet and eye. Creates mystery from the start. What can we tell about her from the first 5 mins? My Example What can we tell about her from the first 5 mins? Narrative feature Establishing other characters - what information do we find out? How is it conveyed? Example The cloaked, mirror-faced figure is dressed similarly to the protagonist. Is this a dream reflection of her? There are also doubles of the protagonist - or are they the same person? The only other character is the male lover that awakens (or does he?). His behaviour is tender, suggesting intimacy. My Example Are all of the characters actually fragmented reflections of just one Narrative feature Establishing location ...

APOCALYPSE NOW OPENING SCENE Apocalypse Now is a 1979 American epic war film directed, produced and co-written by Francis Ford Coppola. It stars Marlon Brando, Robert Duvall, Martin Sheen, Frederic Forrest, Albert Hall, Sam Bottoms, Laurence Fishburne, Harrison Ford, and Dennis Hopper. The film is a metaphor for a journey into the self and shows how the self, in the face of war, darkens beyond recognition. As they move upriver, Willard and the PBR crew become more agitated and separated from reality. Each experiences his own kind of mental breakdown. The opening scene is a very important factor of the film. AS it mainly show the effect war has on the main hero Willard CINEMATOGROPHY -Opening scene of willard, his face is upside down. This shows the fact that his life is 'upside down' and the fact that his face is shown next to a vehicle of war (a helicopter), it suggests that war has made his life 'upside down' -These layers of different images is shown by the te...

Film studies

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