BUSTER KEATON : 'One Week' and 'The Scarecrow' analysis . Use of Film Form - Buster is not really known for cuts in his editing in his short films. However in the scarecrow, there are many, more than usual. This is because of the scene where buster is being chased by the dog. Dogs are clearly faster than humans so in the film he has to cut each shot to make the dog chase seem long , funny and entertaining. He does this by running out of shot, around corners and then cutting the shot to new scenery. - mostly long shots (to frame large scale stunts, set pieces and gags); especially in One Week -exaggerated performances -long takes (to display large scale stunts, set pieces and gags in their entirety) -mostly invisible editing Buster Keaton's film persona In one week, Buster Keaton already HAS a love where as in Scarecrow, he is looking for his love and keeps failing. Another persona is in the scene where he is trying to have a posh dinner party, trying ...
City Of God Openening scene analysis Through photography, mise-en-scene, sound, and editing, City Of God conveys the concepts of disorder and anarchy in the favella to the audience. This is demonstrated in the first scene, when the gang is chasing the chicken. The first thing we see in the movie, for example, is a knife being sharpened against a stone. Knives are normally hazardous things, and the fact that it is being sharpened against a stone suggests a barbaric lifestyle: this is foreshadowing Lil Z's brutal lifestyle, which he imposes on his gang through proxy. This quickly builds suspense and makes the spectator question the characters' motives. The editing heightens the suspense by using almost whiplash-inducing, flashing cuts between the knife and the dark screen, reinforcing the sense of urgency. Normally, a barbecue would be a joyful, tranquil, and familiar sight; but, the tight camera angles and fast cuts disrupt this. The sequence cuts back and forth between sever...