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No country for old men, ending questions - David

  Do you find the ending of the film to be satisfying resolution ?  Why ? I do find the ending to be satisfying, as i feel like the ending was very different and took a different turn from other movies in general or movies of this genre. One main difference was the fact that the main character Llewellyn Moss died when the film was building up to one big final duel between him and Anton Chigurh however, moss died off screen by people not even related to Chigurh and it was very anti climatic. As well as this happening, there was another difference, because this death should of led to Sheriff En Tom bell taking over as the main hero figure. However, he didn't and he decided to step down from being in the law. This was because all this .new wave' of crime wasn't suited to him
Narrative Feature  protagonist - what information do we find out? How is it conveyed?  Example Unusually, we don’t see the protagonist’s face until the dream section… and then we aren’t sure if this is her, as we’ve only seen her shadow and fragmented body parts: hands, sandalled feet and eye. Creates mystery from the start. What can we tell about her from the first 5 mins?  My Example What can we tell about her from the first 5 mins?   Narrative feature Establishing other characters - what information do we find out? How is it conveyed?  Example The cloaked, mirror-faced figure is dressed similarly to the protagonist. Is this a dream reflection of her? There are also doubles of the protagonist - or are they the same person? The only other character is the male lover that awakens (or does he?). His behaviour is tender, suggesting intimacy. My Example Are all of the characters actually fragmented reflections of just one Narrative feature Establishing location ...

david lynch task - julian

 How David Lynch uses film techniques to portray ordinary life as nightmarish? In the film, 'the grandmother' David lynch uses real life scenarios, but then twists and makes the situation very eerie and almost imaginary. For example, the first instance this happened in was when the child was born. He was born almost in a way that a plant grows, although the audience knows that he is a human and not a plant, this makes things kind of nightmarish as it seems like 2 scenarios, in this case being a child's birth and the growth of a plant, are combined together when they shouldn't be, and this sort of imaginary scenes would happen in ones dream. Another way this binding of a action and another action which are not related to each other is when the family are all on all 4's and are barking like dogs. Although it's meant to be scary, it seems on the whacky side of the spectrum, which is another reason why the film seems very nightmarish, because things are happeni...

Objective and Subjective film making - Julian lesson (WED 10 MARCH 2021)

 WHAT IS THE DIFFERENCE IN SUBJECTIVE AND OBJECTIVE PERSPECTIVE IN FILM MAKING? SUBJECTIVE - where the scene shows one person's emotion . OBJECTIVE - where the scene shows a group of peoples emotion, and shows whats going on in the scene as a whole. WHAT WAYS CAN A FILMMAKER IMMERSE YOU INTO ONE CHARACTERS PERSPECTIVE? They can do this by: -POV (point of view shot) -use of sound  -soundtrack -camera movements -colour/filters -close-ups -hallucinations/dreams -camera angles  -editing

CONNECT SHORT FILM ANALYSIS - JULIAN

Connect explores how imagination and emotion binds in with the real life, one major factor that shows this is when the camera shows all of the civilians faces on the bus by uing close hand held shots. When the camera zooms in on their faces they look emotionless, almost as if they are disjointed from reality, from the real world. This could be because they are imagining certain things and feeeling emotion on the inside. When the girl puts in her headphones as the music fades in she also zones out and starts imagining things primarily being shown that as soon as she zones out all of a sudden the businessman assassinates the old lady to take her seat, but then the girl zones back in so the music is stopped and the scenery is back to normal.
 What are the first impressions of the lifestyle and nature of the family the audience gets ?  The film opens with the scenery of nature at its finest. in the woods, catching the river flowing, rocks, grass, trees and wildlife. This may give the impression of a post apocalyptic world as then the family of humans are introduced. It also could resemble a era in the past where there are no industrial places to live and it is far from the current state the audience lives in. The wide shots of the landscape captures the audiences attention as it makes it feel very natural and almost real as the audience feel emersed in the films reality, especially when the eldest son Bo attacks the deer. The impact and first impression of the family changes from the beginning of the opening scene to the endThis is seen as we go from thinking they are some sort of tribe to thinking that they're just stranded in the wild-life.  The usage of camera in this opening scene is mainly hand-held,...

January Mock Exam Question 2021

Question ' The director is the most important creative influence on the production and content of a film '.     How far do you agree with this statement when applied to both of your chosen films ?   Films chosen: -Casablanca -Apocalypse now  Answer: I somewhat agree with this statement as Directors are seen as the lead role off-camera when a movie is in production. Michael Curtz (Director of Casablanca) and Francis Ford Coppola (Director of Appocolypse now) are the main reasons why both of the films recieved the attention and criticism it deserved.  An introduction to this point is the era of film making, 'new hollywood'. Links to our point as one of the most controversial films out of the 2 chosen was made in the middle of this era; Apocalypse Now (1979). In fact this film was released 1 year before 'New Hollywood' started to end, however it was in production for 3 years and it was set to release on Coppola's 38th birthday, April 7 1977. Compared to this, ...